Creating Reflections


  

Friday 18th May 2012  

 
Then there is the very arty approach. Image [Fig 8] is our starting point for this sample. I came across an action years ago called symmetry, you can find it here: http://graphicssoft. about.com/od/photoshopactions/l/blactions04.htm Essentially it enlarges your canvas, duplicates your image, flips it so you have a side-by-side mirror, then duplicates that, flipping it to the bottom so you have a mirror of the top mirror. It winds up looking like [Fig 9]. To get the [Fig 10] effect, duplicate the background layer, use transform to shrink it down, keep it in the middle. (I placed guides to intersect in the middle for a reference.) Create a mask to remove the overlap and repeat until satisfied. You can see my final twist of having the single image in the centre.

Now this just scratches the creative surface, I am going to send you to an artist who shows you how this approach is just the base for an even more exotic but polished look.

Go to http://www.cgarena.com/freestuff/tutorials/ photoshop/urban/index2.html Yes, it's long but it is worth the typing (it certainly is! Ed.). This is the work of Pierre Fabre, a French master of image manipulation. The tutorial page is part of a larger explanation of his art piece. What you will see here is how he starts with the reflection, in this case buildings, and gives them a motion blur. His magic is he takes actual water surface shots and blends them into the street reflection to give real water motion to the image. Still pushing the envelope he puts ripples in from snagged shots, one is a ripple caused by a duck landing. That ripple is put in at a walking guy's feet for the effect of him ploughing through the water.

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All the ideas I have covered so far involve the mirror application to people. But as you probably saw when you mirrored an image for a background use, the mirror effect creates faces along with some unusual effects. So here is something to try. Take slices of an image so the edge of the image has something extending beyond it, for example, angry clouds sliced in the middle or a person’s limbs. Smoke, trees, you get the idea?

Then mirror them. Where the join is is where the interesting face or faces appear. The possibilities just go on forever.

This should expand your thinking on the possibilities of reflections. Once you get the hang of the simple base approach, your creative doors really open up.

Mark Laurie mpa, spa, fswpp

Mark is a photographer, speaker, writer and studio mentor.He teaches extensively in England and Canada. He runs Revealing Venus – Digital Nude & Glamour Photography Workshop in Paradise Island, Bahamas in August. You can find him at marklaurie.com and InnerSpiritPhoto.com.

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